XXIX
C |
ourses charted
by sightless navigators cast captains upon shores undreamt of. In the steering
clear such fanciful fears, I found myself in as common and safe a shoal as I
would never have imagined for myself. My
state was astonishing for its predictability and for how common it was turning
out to be. Some several further scurvied years had left me beached in V_______
once more. My military career, having spoiled, had been jettisoned but still,
day-to-day, the jetsam of that past would float by, useless to me.
Now
I served as a civilian within the Naval Communications center where, spending
night shifts watching television, we performed perhaps five minutes of labour
in every long hour. Labour meant moving a disk from one machine to another and
then back with a single keystroke in betwixt. With bored delirium, we waited
impatiently for a war. Any disaster would do. It would though only have been
another shade of tedium. Two people composed the shift but we in no ways
contributed significantly to filling the big and windowless room that we were
secured within. Incommunicado, we abided twelve-hour shifts in demi-solitude
and it was too often wordless. We had nothing to say, afterall.
The
Internet by this time had become a constant companion and he eased our
discomfortable quiets in the muggy hours. I will be forgiven for turning the
Internet's telescope toward Beatrice. It is true that the secrets of the stars
are often revealed only by the movements of their near neighbours. By observing
the progress of sister Katelyn's artist's retreat business in Southern France,
I pratfell upon a blog wherein she reported on how she had recently been pulled
from her normal orbit by a family gathering in Paris. They had gathered at a
Paris Cathedral to celebrate the marriage of a tenor to Beatrice.
Relief
forcibly flung me back in my chair. It was not the emotion that I had ever
predicted as often as I had pursued the idea of my muse marrying another. I had
never sniffed at the image of her and I together in any intimate way. Not a
once. But had I clung to some invisible hope? It seemed not for that relief, I
came to later realize, was not because I could hereafter unburden myself safely
from any such now unattainable fantasies (they were no more inaccessible with
this news), but rather a real relief that I had not by my obsession unhappied
her. Of course I had not but I could not know.
Now,
from the moment that word of the wedlock reached me, she could be imagined
sweetly going through her life with a smile. She was in love and someone deeply
loved her back. Someone was looking after my dear, lovely girl. Beatrice no
longer shared my mortal world. In my heart, she had ascended to Paradise. I
know that winged angels carried her through that cathedral vault and that
friends and family were united in singing some splendid celebration.
Hallelujah! Bach too accompanies her stately flight with a score of concerted
cellos. I know that her gown was whiter than light and of such purity that its
like could never find a place on my pallet. She wore, I am certain, a garland
of living green about her head where her once bright hair was dimmed by her
halo of delight.
Not
one heartbeat sent sad blood through my veins. I was overwhelmed by such rare
and boundless joy.
Then,
hardly an instant after that unbinding flash came a wave of energy that shocked
my core. I was knocked to my feet. From beyond a bank of computer screens and
books, my scruffy shift partner raised a single bushy eyebrow to acknowledge my
agitated state.
I
turned. I spun. I grasped the air, grappling with the identity of this thing
within me. It bade me act but I didn't know how. Trembling fingers could not be
stilled by making fast fists. They would not so remain. They would not be
tamed. When, finally, those claws fastened about a yellow pencil, that energy
could be named. Kneeling in my sterile space, with twisted trembling hands, I
began to make. My body, my brain, some energetic part of me, was driving the
horses with bridled madness. There was no heed paid to balance or beauty. There
was no destination, only a bumpy, possessed ride on that moonless night. I
could do little more than make marks but that satisfied the driver. Some
diabolic design required only that hoof beats hammered the hard and too long
unused trail.
It
was only marks at first and then, taking small steps that had been taken long
before, I began to make my iconic shapes: the signature serpentine silhouette
of Adam's hand, the flowing contour of a frontal nude, and a crosshatched
sphere for chiaroscuro play.
During
my fourteen years in the wilderness I had, yes, put pencil to page a few times
but never had there been any passion to make. It would only ever have been out
of a sense of duty to my former existential intentions or regret. Today, that
day, I was no longer being pursued by my past but nor was I chasing my future.
I was simply, purely, making simple marks. I drew a line and it was not
beautiful so I drew it again and made it better. I drew it again but that one
failed. A mark that failed. Again, and again, carefully and calmly despite the
thundering heart, I made my marks.
Eventually
I had to stop to move a disk from one machine to another and then back again
with a single keystroke in betwixt.
An
attempt to release the energy by pacing failed. Instead I knelt at my desk anew
and made more marks.
So
many circles were tried. To craft the perfect geometric in a single, even
pencil stroke required a steadier hand than I was capable of that night. Perhaps
I could never do it. Only the Divine Raphael…
A
bar abuts the right of the circle, exactly as long as twice the radius,
perpendicular to the page's bottom edge. One length away to the right, starting
from the same horizon, rises a parallel line that is twice the height still. In
turn, another perfect circle touches with each bottom circumference well
aligned. With the interval retained, another arc is begun aright but we do not
complete the circle; instead insisting that a one quarter of the circumference,
centered upon the rightmost perimeter, is left undrawn. And so on and on I'd
march and with discipline dictate my marks.
It
was not as though some part of my soul had been set free. Were it so I would
have been, I imagine, luxuriating in the liberty and running about trying to
express myself. I would be urged by my heart to undertake grand exultations of
freedom. I should have run. Instead, walking with this need to make simple
measured pencil strokes, to spend grey residue upon the off-white page, I was
answering some queer demand to imprison myself. I was free to pace my prison cell and exercise my withered limbs.